Second Opinion: Batman Begins (2004)

Spoilers below for Batman Begins and The Prestige.

For some reason, seeing Batman Begins after a couple of go-rounds with The Prestige — which actually works as a sort of companion piece — made a huge difference in how I read it. For one thing, the complexity and intensity of the characters in The Prestige, and that film’s signature idea of recursive psychological torture and physical self-sacrifice, worked as a new angle for my approach to the earlier movie. The Prestige reaches its climax only after magician Robert Angier’s quest for vengeance — which would come, for him, in the guise of a perfect illusion — culminates in the creation of a potentially endless series of doubles, each of which is drowned, night upon night, in a chilling act of self-flagellation. Once the first, magical, bifurcation occurs, it becomes impossible to say in a meaningful or definitive way which version of Angier is real, and which one is the copy — if, after the first duplicate has been made, that distinction has any meaning at all. Angier reaches the terminus of his journey, and finally works some real magic. But only at heinous cost.

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